Explosions in the Sky
Manchester, Night & Day 8/2/04
Despite not having played on these shores for a few years now, and with only their second LP "The Earth Is Not A
Cold Dead Place" recently out in that time frame, this 4 piece from Austin, Texas have managed to sell out venues on
this seemingly low profile tour.
When one realises that their first LP was only available in the UK on import
only, the mystery deepens. When one realises it was released the day after
9/11, them maybe it's a bit more understandable
The -no doubt to be much repeated including here - story of how they came to
be signed involved the guys in The American Analog Set sending in a
cassette with a note attached that read: "THIS TOTALLY F**KING DESTROYS!"
So what is it about this group that provokes such an unspoken devotion? The
lass next to myself heard extracts from their debut LP on the John Peel show,
duly had it imported and loves them.
So has John Peel once again opened
a few musical doors? Well the door
tonight to the Night & Day is closed,
saying "SOLD OUT"
Stories of epic prog rock virtuosity
abound, but lacking a vocalist / front
man, pre-gig reservations exist with this reviewer about they will maintain a
viewers, as opposed to listeners - attention.
Explosion have had a "weird day" today, and it isn't about to let up; with 3
guitarists on the stage you might think that would be enough, but within the
opening 5 notes of the show, one guitar lead packs in and the band crouch
down to talk to the punters as the roadie locates a replacement
With service restored, the delicacy of the opening number emerges out from
the speakers and an hour long guitar frenzy has commenced. Subtlety
eventually gives way to an all out savage attack of string ripping vehemence
as these instruments are flung about, intensity etched on the faces of Michael
James, (bass), Munaf Rayani, (guitar), and Mark Smith, (guitar). Drummer
Chris Hrasky is almost hidden from view behind the trio.
More thematic than political they take inspiration from worldly occurrences and translate them into cinematic
soundscapes, so events such as the sinking of the Russian submarine the "Kursk" results in "Six Days at the bottom of
the Ocean".
Grinding rock riffs are intermingled with searing sounds that should possess a health warning for your hearing. It's
probable that the venue is packed out because it's the only time that anyone will get to hear how the music was
designed to be heard - loud, very loud
Songs are not introduced, merging into one another yet eliciting cheers of
welcome from a mixed crowd that are enjoying what they have paid to listen
to
The prog rock it's cool to like, certainly with this crowd.