Click on the links for (hopefully) pix of each bands
It's difficult enough to grab the attention of the crowd during the course of a set, but to be able to do it with 1
number? And that has to be a cover of a seminal band such as the Clash? What can be a daunting prospect that
could be, yet it can also realise a source of creative potential, much like the one that
was about to be unfurled today.
So with daylight still streaming through the windows of that local sauna known as the
Night & Day café, "Slam" and "I Win I Drive" kick started proceedings with faithful
versions of "Clampdown" and "Clash City Rockers" respectively.
So step forward Sonic Boom Six who were brave enough to de-construct the original
of "Safe European Home" to a bare shell then cram into it as many different musical
styles as possible. It shouldn't have really worked, but this time it did, and gloriously
A dressed up Performance followed with an equally eclectic combination of
electronica/ska to dispense "Janie Jones" to a crowd that was now getting the hang
of the format, slaking their thirst on beer, watching the raw energy emanating from
the video screen displaying Joe in his element, that is performing on a stage. Grainy
video footage purloined from cameras snuck into venues, relayed images from Clash
& Mascelaros gigs.
The shaking, sweat soaked, out of focus figures wanting to give something back to
their audience evoked misty eyed nostalgia from those present today. Though Joe's
sharp features may have been softened with the passing of time, the quiff was still
there, and just as recognisable were the sweat, energy and enthusiasm with which he sought to repay those who had
turned up to see his band, displaying his clear love of music, a passion that could not diminish with the passing of time.
Now snapped back to the present, Thee Virus House, bedecked in uniform black,
transformed "This is Radio Clash" into a magnificent slab of dark, intense electro,
overlaid with a monotone delivery that was over far too soon.
Once Darren Snake had entered the building, a blues fuelled, harmonica laden,
rendition of "Rudy Can't Fail" was eventually satifyingly
Ian Britt managed to literally strip "Stay Free" down to a pure, almost acoustic ballad
that was simple in execution, but intense in delivery, so much so that through the day
he had devotees of Jones coming up to congratulate him on his renditon.
Perhaps the most poignant time of the day was when the singer with Sugar Rocket
got up on stage alongside Saucerman for "Magnificent Seven". His band were due to
open the set but due to the death of their guitarist the day before (aged 22)